Playing String Bass (for Jazz)

p1000296edited1One of the loves of my life is the string bass.  Also called the upright bass, the double bass or the contra bass, it’s that giant fiddle thing you see in orchestras, jazz bands and other musical groups.  I’ve wanted to become proficient at playing the bass for years, but it was always a secondary priority to getting an education and then establishing a career.  

My number one New Year’s resolution is to finally become proficient enough on bass to join a small jazz group.  I’m not getting any younger:  it’s now or never.  I have a string bass, but it’s made of laminated wood.  Laminated wood basses are strong and resist cracking, but they don’t sound as good as a bass carved out of a solid blocks of wood (they use different pieces for the front, back and sides).  These are called “carved” basses for obvious reasons.  They have a warmer tone than laminated basses and are much more expensive.  You could easily pay $8,000 to $12,000 for a fine carved bass, and if you were part of the San Francisco Orchestra you probably should.  Alas, neither my checkbook nor my musical abilities have attained that stature.

Another resolution is to buy a carved bass in 2009.  I want one and by gum, I will have one.  However, it will probably be more in the $2,000 price range.  Countries like China, Rumania and South Korea are now making fully carved basses and orchestra musicians are using them more and more.  My own music supplier uses a South Korean carved bass in the San Matero Peninsula Orchestra; it’s a Hans Kroger bass.  I will either buy one of those or a similar brand.

So far I am living up to my resolution.  I have been practicing my bass steadily for the past week or so.  Playing a big stand-up bass is physically demanding, so right now I am concentrating on building up my shoulders, arms, hands and fingers.  All are a bit sore right now.  My plucking fingers on my right hand are calloused.  My endurance will grow.  When I have the strength to play a gig, that is playing  job of about four hours, I will consider myself sufficiently in shape.

I love the twangy resonance of a string bass.  I love the clicking sound of the strings on the fingerboard.  Listen to some Vince Guaraldi records or some recordings of the American Songbook, e.g. what they call “standards,” generally dance music and ballads.  I especially recommend Rod Stewart’s American Songbook collection — the orchestral bass player is excellent and the warm bass tones are amazing.

Turn up the bass tone and listen to the string bass.   You can hear it “walking” up and down the scale and the deep rhythms attune themselves with my soul.

My approach to finally becoming a bass player include the following:

1.  Practice playing my bass daily — start with half an hour and build up to an hour once my hands and fingers strengthen.

2. Listen to jazz and standards at every opportunity.  To play great music you must listen to great music.

3. Study music theory.  Practice arpeggios, scales and following chord symbols on sheet music.  I have some play-along CD’s by Jamey Aebersold Jazz for this purpose.  You can order them from Amazon.com.

4.  Eventually, find a group of other musicians to practice and play gigs with.

If there are any aspiring musicians in the South Bay area who might want a bass player, give me a shout.

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2 responses to “Playing String Bass (for Jazz)

  1. That´s just beautiful…for a long time I´ve been postponing my dream of learning cello, but I´ve decided that this is the year! So I´m glad to read about someone else going for a dream…it has that fresh feeling of a new start… =D

  2. Erika, well put! “It has that fresh feeling of a new start”! I couldn’t have put it better myself.

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